Secrets about my past Essays - Nana, The Locket, Free Essays

Secrets about my past Essays - Nana, The Locket, Free Essays Secrets about my past Dark shadows ran past me as the icy cold wind made me shiver, where am I, I wondered I was in an empty space, an empty space full of nothing. I started to run as if the police was chasing me what was I scared of? I dont need to run I can just stay here and wait, but I didnt stop running until a hand grabbed me then- and thats when I got up from my dream. Im starting to have nightmares every night ever since last week Thursday. The day I found a gold locket. Today is Wednesday I have library the best time to escape and relax from Nate. Nate is my closet friend hes sometimes funny and helpful but he is also annoying! I grabbed a book from the H section called History about a princess this is where I found the locket in the very first few pages I thought the locket was someone elses so I tried to give it in to the counter but a strange strong feeling started to grow inside me I tried to ignore it. I walked closer to the counter, but next minute before I knew I was walking out of the library picking my bag up and popping the locket in to my school skirt pocket and without thinking I started to run, without looking back. Its lunchtime so I walked to the girls bathroom I re-do my hair and straighten my uniform and opened my skirt pocket to get my lip gloss, but instead I got the locket out and again the strange feeling started to grow inside me again. I stared at the locket and finally noticed you can open this locket, a small little pick dot was on the locket, no wonder I am so stupid. I tried to open the locket but it wouldnt open why isnt this stupid locket opening? I grumbled. After a few tries I gave up when suddenly my mind went blank and a dark strange voice started to tell me to go to the library. I walked to the library and grabbed the book where I got the locket from and I started to read then my mind came back I found myself reading, what the-? How did I come here? I sigh deeply and was about to close the book when I stopped and saw the word LUCIA, I opened the book properly and started to read since it had my name. But after a few minutes I was so shocked about what I was reading in 1864 a young girl called LUCIA CHLOE SAZCHA? Thats exactly same as my full name and at the age of 16 in 1880 she died I continued to read, the place of birth, date of birth and family names were so identical with me, all this information this girl had was same as me shes like my long lost twin sister! Except I dont have a twin sister. A white mini envelope was on the page too and in tiny gold letters it read a picture of Princess Lucia Chloe sazcha a picture... wait a princess This girl was a princess? This was getting way too weird. I was getting more curious how this girl could look like, I opened the envelope with trembling fingers, I was nervous for no reason. I pulled out the picture and stared at it for quite a long time then I grabbed my mini sparkle mirror from my bag and stared at myself from the mirror to the picture I dropped my mirror and the picture on the library floor I was so confused what was happening inside me, suddenly I felt sick all I wanted to do is go home, I told the office lady I felt sick so if I can go home and later my nana came. I lie down on my bed when my nana came in and gave me hot vanilla flavored tea. I was dying to know the truth about the other Lucia. I had tons of questions in my mind so I decided to tell my nana nana? Yes dear do you need anything? No Im fine ok, then Ill go

Biography of Fernand Leger, Forerunner of Pop Art

Biography of Fernand Leger, Forerunner of Pop Art Fernand Legà ©r, born Joseph Fernand Henri Là ©ger (February 4, 1881 – August 17, 1955), was a French artist, specializing in paintings, sculpture, and film. His innovative variants on cubism and figurative art led to him being regarded as a forerunner of the pop art movement. Fast Facts: Fernand Là ©ger Full Name: Joseph  Fernand  Henri  Là ©gerOccupation: Painter, sculptor, filmmakerBorn: February 4, 1881 in  Argentan, FranceDied: August 17, 1955 in  Gif-sur-Yvette, FranceSpouses: Jeanne-Augustine Lohy (m. 1919-1950), Nadia Khodossevitch  (m. 1952-1955)Key Accomplishments: Influenced by the industrial age and the two world wars, Fernand Leger developed a unique artistic outlook that preceded the developments and concerns of Pop Art. Early Life Fernand Legà ©r was born in Argentan, in the Normandy (then Lower Normandy) region of France. His father was a cattle farmer. Little is known about his early life until he began his schooling and professional career. Initially, Legà ©r did not train in the arts. At the age of sixteen, he began training as an architect. He finished his formal architectural training in 1899, and the following year, he moved to Paris. For about a year or two, he worked as an architectural draftsman, but in 1902, he shifted into the military. Legà ©r spent 1902 and 1903 in military service, based out of the city of Versailles. French expatriate artist Fernand Leger standing in front of his completed murals. John Gutmann / Getty Images After his military service ended, Legà ©r attempted to get more formal art training. He applied to the École des Beaux-Arts but was rejected. Instead, he enrolled at the School of Decorative Arts. Ultimately, he attended the École des Beaux-Arts in a non-enrolled capacity for three years while also studying at the Acadà ©mie Julian. It was not until the age of 25 that Legà ©r began working as an artist in earnest. In those early days, his work was in the mold of the impressionists; later in his life, he destroyed many of these early paintings. Developing His Art In 1909, Legà ©r moved to Montparnasse, an area of Paris known for being home to a wide array of creative artists, many of whom lived in poverty in order to pursue their art. While there, he met several other artists of the era. In 1910, he had his first exhibition, with his art displayed at the Salon dAutomne in the same room as that of Jean Metzinger and Henri Le Fauconnie. His most important painting at the time was Nudes in the Forest, which displayed his particular variation on cubism, dubbed â€Å"tubism† by art critic Louis Vauxcelles for its emphasis on cylindrical shapes. Sothebys employees pose for photographers with Fernand Legers Cubist masterpiece Etude pour La Femme Bleu, on April 21, 2008 in London, England. Cate Gillon / Getty Images Cubism was a relatively new movement at the time, and in 1911, Legà ©r was part of a group that displayed the development to the general public for the first time. The Salon des Indà ©pendants displayed together the work by painters identified as cubists: Jean Metzinger, Albert Gleizes, Henri Le Fauconnier, Robert Delaunay, and Fernand Là ©ger. In 1912, Legà ©r again exhibited work with the Indà ©pendants and was part of a group of artists dubbed the â€Å"Section d’Or†- the â€Å"Gold Section.† His works of this era mostly were in palettes of primary colors or green, black, and white. After the Great War Like many of his countrymen, Fernand Legà ©r served in World War I, then called the â€Å"Great War.† In 1914, he joined the army, and he spent the next two years serving at the Argonne. Although he was far from the studios and salons of Paris, he continued to make art. During his service, Legà ©r sketched the instruments of war that he was surrounded by, along with some of his fellow soldiers. He nearly died from a mustard gas attack in 1916, and during his recovery, he painted The Card Players, full of frightening, mechanized figures that reflected his horror of what he had seen in the war. His experiences in the war, which was the first massive war of the industrialized era, significantly influenced the next several years of his work. Referred to as his â€Å"mechanical† period, his work from the postwar years through the 1920s featured sleek, mechanical-looking shapes. As the world attempted to return to normalcy following the war, Legà ©r made similar attempts, returning to â€Å"normal† subject matter: mothers and children, landscapes, female figure drawings, etc. However, his works continued to have that mechanical, orderly look to them. Fernand Legers Builders with Aloe, is seen at the Post-War European Art Exhibition at Pushkin Museum, in Moscow, Russia, March 6, 2017.   Mikhail Svetlov / Getty Images It was during this time that Legà ©r also got married. In December 1919, he wed Jeanne-Augustine Lohy. The couple did not have any children over the course of their three-decade marriage. In many ways, his work fell under the umbrella of purism, an answer to cubism that focused on mathematical proportions and rationality, rather than intense emotions and impulses. Legà ©r also was fascinated by the dawn of filmmaking, and for a time, he even considered abandoning his visual art to pursue cinema. In 1924, he produced and directed the film Ballet Mà ©canique, a Dadaist art film consisting of images of women’s facial features, everyday activities, and ordinary objects. He also experimented with murals, which became the most abstract of his paintings. Later Career By the end of the 1920s, Fernand Legà ©r’s work had begun to evolve. Instead of sleek, cylindrical forms that evoked the machinery of industry and war alike, more organic influences- and irregular, lively shapes- took center stage. His figures took on more color and even some humor and playfulness. He began teaching more, starting a free school in 1924 along with Alexandra Exter and Marie Laurencin. Painter Fernand Leger sits among his works in his Left Bank studio in 1948, following a trip to New York.   Bettmann  /  Contributor In the 1930s, Legà ©r made his first trips to the United States, traveling to the major hubs of New York City and Chicago. His artwork was displayed for the first time in America in 1935 with an exhibition at New York’s Museum of Modern Art. A few years later, he was commissioned by American politician Nelson Rockefeller to decorate his personal apartment. During World War II, Legà ©r lived and worked in America, teaching at Yale University. His work from this era often juxtaposed organic or natural elements with industrial or mechanical imagery. He also found new inspiration for brightly colored paintings in the neon lights of New York, resulting in paintings that included bright stripes of color and starkly outlined figures. Legà ©r returned to France in 1945, after the war ended. There, he joined the Communist Party, although he was more of a humanist with socialist beliefs rather than a fervent, devoted Marxist. During this time, his paintings took a turn to depict more scenes of everyday life featuring the â€Å"common folk.† His work also became less abstract, emphasizing his stronger focus on ordinary people rather than the avant-garde world. French painter Fernand Leger straddeling a chair in front of an incomplete painting, holding paintbrushes, wearing a flannel plaid shirt and a striped tie, Venice 1950. Archivio Cameraphoto Epoche / Getty Images In 1950, his wife Jeanne-Augustine died, and he remarried in 1952 to French artist Nadia Khodassevitch. Legà ©r spent the next few years teaching in Switzerland and working on a variety of projects including stained glass windows, sculptures, mosaics, paintings, and even set and costume design. His final, unfinished project was a mosaic for the So Paulo Opera. Fernand Legà ©r died on August 17, 1955 at his home in France. As the first artist to focus on the industrial and machine age, creating images that reflected modern consumer society, he is considered a forerunner of pop art. Sources Buck, Robert T. et al.  Fernand Là ©ger. New York: Abbeville Publishers, 1982.â€Å"Fernand Là ©ger.† Guggenheim, https://www.guggenheim.org/artwork/artist/fernand-leger.Nà ©ret, Gilles. F. Là ©ger. New York: BDD Illustrated Books, 1993.